|
SHOTGUN THEATER LAB PRESENTS
FOUR ECHOES
Pioneering a process of exchange between short fiction and drama, Shotgun
Theatre Lab presents FOUR ECHOES; a dark comedy that weaves an emotional
tapestry confronting loss, god, fate, love, and confinement. Spread upon the
framework of four intensely personal autobiographies, FOUR ECHOES in an
exploration of lives across four eras that range between 1920 and 2096. FOUR
ECHOES runs on June 21, 22, 28, 29, July 5 & 6 at 8pm with a press opening
on June 21st, at The Ashby Stage, 1901 Ashby Ave, Berkeley.
The culmination of an experimental development project, FOUR ECHOES present
four characters that ricochet, repeat, chorus, and echo one another in an
attempt to realize and resolve their own life stories. A pastor's wife
realizes the truth behind her husband's doctrines; a woman awakening from a
coma follows the journey of her trauma; a burlesque dancer waxes poetic with
her lofty dreams and otherworldly secrets; and a girl from the future is
literally arrested by debt, left to float in a timeless confinement, a
criminal stuck in a science experiment.

The production, an original work embodying the Shotgun Players collaborative
spirit, brings together the unbound creativity of four authors from San
Francisco State University's Graduate Creative Writing program in an
exciting foray into the developmental process of collaborative playwriting.
Pioneering a process of exchange between short fiction and drama, each
author has taken a character from her own literature and melded that
character's narrative with the narratives created by the other three
writers. The result is a complex performance that transcends individuality
and comments upon the human experience.
Written by Rebekah Anderson (Ecstatic Monkey Writers Collective), Erin
Jourdan (Kitchen Sink, Watchword, Laundry Pen, SF Station), Vanessa Kulzer
(Women Behaving Badly), and Margaret Rodriguez (EM Literary), Directed by
Molly Aaronson-Gelb.
The Shotgun Theatre Lab is a program of the Shotgun Players committed to
fostering the creation of new works through the mentorship of emerging
theater artists. In providing an explorative forum for theater artists, we
also create a showcase of dynamic and experimental work that opens new
avenues of learning, imagination and form for audiences and artists alike.
The Shotgun Theatre Lab removes the emphasis on succeeding financially, and
instead promotes alternative models of successful theatre.
|
 |
|